Francesco Cavalli: Musiche sacre concertate (Sacred Music Concert)

Much of the music here could be very favorably compared to the works of his mentor, Monteverdi. Cavalli was a superb composer for a variety of instruments, and the organ and small ensemble accompaniment heard on this disc are a striking addition to the vocals here as opposed to the more common acapella programs of that period. Most of the selections here are small-scale, incorporating three or four voices. The lone sonata that appears midway through the program is delightful – it’s tragic that so little of Cavalli’s instrumental compositional output has survived.

We can assume that Cavalli avoided, perhaps for excessive modesty, to pursue an adequate dissemination of his works in prints, if in the preface to his anthology of Sacred Music of 1656 he said, “My genius has always kept away from prints, and I have more quickly consented to let my weaknesses go where Fortune brought them by means of the pen, rather than the press. In the end, however, I let myself be convinced.”

Venice was the goal of pupils and musicians coming from all over Europe. Schutz refined there his polychoral style, and his mixed concertato for small choir. To this field is dedicated a conspicuous part of Cavalli’s anthology, from which the pieces presented in this album have been chosen and which, on top of showing the ingenuous composer’s traits, store exquisite vocal and instrumental surprises.

Sylvia Pozzer – Soprano
Simonetta Cavalli – Mezzo Soprano
Vincenzo Di Donato – Tenor
Garrick Comeaux – Basso
Monica Pelliciari – Violin
Elisa Imbalzano – Violin
Daniele Cernuto – Cello
Pietro Prosser – Tuba
Accademia di Musica Antica
Ensemble Vocale e Strumentale di Rovereto
Romano Vettori, Conductor