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Classical ensemble Calefax Reed Quintet yields once again to the temptation for extemporaneous performance in this collaboration with improvising trumpeter and composer Eric Vloeimans—to extraordinarily satisfying results.
The combined sensibilities of these five musicians from Calefax and Eric Vloeimans work to create quite an intriguing synthesis of the modern, the early, the traditional, the experimental. It all just works. And the sonorities of the modern reed instruments and brass, together with the very intentional introduction of traditional instument (such as the duduk, an ancient Armenian double reed woodwind instrument made of apricot wood, and the tenora, a descendent of the shawm which was played across Europe from the Middle Ages up to the 17th century), weave a complex tapestry of sounds and textures.
I find myself fascinated by the way the group takes music of the renaissance, baroque, twentieth century jazz, modern compositions, and free extemporizing to build a compelling musical landscape that is thoroughly enjoyable today. For example, beginning on track 4, they play through the Toccata Settime of early 17th century composer Michelangelo Rossi (a daring composer in his day) with some improvisation freely allowed within Rossi’s framework, transition via little less than two minute improvisation by Eric Vloeimans, and then flow into the iconic Miles Davis classic Blue in Green, molded into sextet form by Calefax member Oliver Boekhoorn. A beautiful arc of completely unrelated musical works, made into a whole here.
All in all, this album has been a lovely journey, an intriguing exploration, and a musical hour well spent. Hmmm, no. That’s three musical hours well-spent as I’ve come back to listen over and over again. Highly recommended.
Rushton Paul
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