
The name of your ensemble ‘Houthandel’ translates in English to something like ‘timber trade’. This is certainly a distinctive identity for woodwind instruments, but your attitude to performing is also a refreshingly modern alternative to the usual concert-hall conventions, including choreographed movement and performances in unusual locations. Perhaps you can tell us more about this, and perhaps also how your energetic concept transfers itself into the recording studio?
Houthandel is an organization that is based on three pillars: music, musicians, and audience. Whatever the program, the ensemble looks for the best possible form and content to
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