We are in the year 1966, in the Soviet Union. While Shostakovich is enjoying the success of the world première of his Second Cello Concerto, the Georgian composer Sulkhan Tsintsadze is putting the finishing touches on his own new work. In their respective concertos, these two composers draw their own psychogram: a sombre landscape intermittently illuminated by rays of light, brightened up with a few prudent dabs of colour here and there.
German shooting star cellist Maximilian Hornung releases his first album on the myrios classics label. Born 1986 in Augsburg, Hornung studied with David Geringas,
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