Label |
Groove Note Records
|
SKU |
GRV1045-3
|
Qualities |
DSD 256 fs, DSD 128 fs, DSD 64 fs
|
Channels |
2ch Stereo
|
Artists |
Anthony Wilson, Bennie Wallace, Diana Krall, Eden Atwood, Jacintha, Jay McShann, Lauren White, Luqman Hamza, Roy Gaines
|
Composers |
Anthony Newley, Artie Butler, Bertolt Brecht, Bob Hilliard, Cheryl Ernst, Don Black, Duke Pearson, Glenn Osser, Jay McShann, Jayme Silva, Jimmy Rowles, Joe Melson, Kenny Burrell, Kurt Weill, Leslie Bricusse, Lew Brown, Marc Blitzstein, Neuza Teixeira, Phyllis Molinary, Quincy Jones, Ray Henderson, Roy Orbison, Ruth Lowe, Skippa Hall, T-Bone Walker, Walter Brown
|
Genres |
Compilation, Vocal
|
Mastering Room |
DSD 128 and DSD 256 Download Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA
|
Special Thanks |
David Kawakami, Gus Skinas and Lon Neumann of the Sony Super Audio CD Project
|
Recording Type & Bit Rate |
Analog, DSD 64fs
|
Recording Software |
Sony Sonoma DSD Workstation
|
Recording location |
Cello Studios in Hollywood, CA, Oceanway/Record One Studios, Sherman Oaks, CA, Sunset Sound, Hollywood, CA, Systems Two, Brooklyn, New York, Airborne Audio Productions, Kansas City, MO
|
Recording Engineer |
Michael C. Ross, John Sorenson, Joe Marciano
|
Producer |
Joe Hartley, Ying Tan
|
Notes |
We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128 and DSD 256 releases are all pure DSD created.
They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise. This results in the listener's DAC using gentler and more phase linear filters for playback of the music.
|
Microphones |
AKG 414, 451, 460, C-12, C-12A, KM-S4 and "The Tube", EV PL 20, Llomo 19 and 19A, Neumann KM-84, M-49, M-50, M-80, M-149, 251, TLM-70, U-47FET and U-67, RCA 44, Royer 121, 122, Sony C55p, Sennheiser 441 and 421, Shure KSM 32, SM 7, SM 57, Telefunken 251
|
Mastering Engineer |
Bernie Grundman at Bernie Grundman Mastering, Dave Glasser at Airshow Mastering, Gus Skinas at Super Audio Center
|
Executive Producers |
Ying Tan and Sebastian Koh
|
Digital Converters |
EMM Labs Meitner ADC8, Sony
|
Cables |
AudioQuest
|
Analog Recording Equipment |
Ampex ATR-100 2-Track, Studer A-80 2-Track, BASF 900 Tape at 30 ips
|
Original Recording Format |
DSD 64
|
Instruments |
Saxophone, Guitar, Vocal group
|
Release Date |
November 16, 2018 |
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