Roland Hanna, one of the most flexible pianists of any generation, is heard to greatest advantage in the most basic of musical situations: unaccompanied. Since his arrival in New York in the Fifties, Hanna has acquitted himself with individuality and aplomb in contexts as disparate as the Benny Goodman big band and Charles Mingus’s experimental groups. While Hanna can make lovely solo flights and contribute meaningfully to bands, he also shares with such distinguished colleagues as Hank Jones, Tommy Flanagan, and Barry Harris – to mention some fellow-Detroit emigres – a superb gift for providing even the most
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