
“No, this is not going to be what you think: you will not find La Marseillaise in it, but instead you will find a Forlane and a Gigue; no Tango either”. Those were the words of Maurice Ravel on 1 October 1914, writing to Roland Manuel about his last piano composition, Le Tombeau de Couperin. This six-movement suite is dedicated both to Franois Couperin and to Ravel s friends who had been killed in World War I.
In this work, old dance forms are restored to life, and the music is characterized by grace, charm, order,
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